“The French princess, charmingly played by Danielle LaRose, is endearing… The echoing space is very hospitable to the kind of period polyphony that filters through LaRose’s musical score, played live”
12th Night, Liz Nicholls on HENRY V
“Danielle LaRose composed the original music for the production. Atmospheric and haunting, it was beautifully written and well-used in moments of high tension”
– The Play’s the Thing on John McEnery's KING LEAR
“Danielle LaRose’s modernist and atmospheric soundscape rose over our pews at key moments
to punctuate the storm and battle scenes”
– A Younger Theatre on John McEnery's KING LEAR
“The magic with which Danielle LaRose’s Oberon toys with the lovers is one of huge potency, its power like a drug that renders the lovers near-helpless… LaRose’s Oberon subtly shifts the emphases of these well-known characters (Oberon & Titania)
… A dream of a Dream”
-The Public Reviews UK on MSND
“Music - played largely out of sight by performers- is haunting and ethereal"
–A View From the Gods on RICHARD II
“Original music by Danielle LaRose adds a beautiful theatricality. So haunting... Nerissa’s (LaRose) song makes the choosing of the casket a spine-tingling moment”
–The Public Reviews UK on THE MERCHANT OF VENICE
“Martha (Danielle LaRose) is stunning and so captivating… singing ‘The Dark I Know Well’. Incredible vocal talent”
-Broadway Baby on SPRING AWAKENING: THE MUSICAL
